芳心封鎖
影片信息
- 状态：DVD
- 主演：Gila Almagor
- 导演：Gilberto Tofano
- 年份：1969
- 地区：其它
- 类型：剧情/
- 时长：内详
- 上映：未知
- 语言：其它
- 更新：2025-04-17 22:04
- 豆瓣评分：10.0 分
- 简介： The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography. The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic. Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens. The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film. It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief. "Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas. Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film. This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
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剧情简介
芳心封鎖是由Gilberto Tofano导演的剧情片。领携主演：Gilberto Tofano
The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography. The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic. Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens. The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film. It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief. "Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas. Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film. This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
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果子喵 237.227.77.198说实话，那些几个月前就评分还给拼一分，我只送你一句，你炸了，什么叫抄袭？日本传承了中国文明发展出了自己的文明，现在中国人看到国风却张口就是这不是日本风格吗？老祖宗要是知道了要被你们气醒过来，还有什么3D圈钱？2D5折30,3D4折40，什么？你说你没会员，淘淘票26一张，说圈钱的打你一脸 -
白开一杯 80.228.230.212再美的画面和完美的配乐都撑不起一篇叙述混乱的故事。点太多，串联的不好，不顺畅，元素太多，能感觉作者想努力把中国风表达好，把场景画漂亮，BUT，这个故事讲的不好，不够有力。不过作为国产，还是一个很大的进步。 -
创意者swser 170.107.39.112我想说，打低分的人大多是把这部电影看成了简单的三角恋，绿茶婊。不是电影太肤浅，而是你。灵婆本是天神，因爱上人间姑娘，双双被贬到其他人的世界，掌管灵魂。灵婆掌管好人，那位姑娘变成了丑陋的鼠婆，掌管坏人。湫是他们的儿子，一切都是从这里开始的。说没有情节没逻辑的装逼婊们，看懂再评论。 -
怀君姑娘 44.69.203.197登了好久没登的豆瓣帐号，就是想在无数骂名里表达一个微弱的声音：我很喜欢，我很感动。套用一位好友的话，生命的轮回与鱼儿的游溯，不过是一篇未完成的诗。诗，可能没有小说般应有的套路―人性的思考和满载一船星辉的精巧，却可以用绚烂的笔触挥洒唯美的深情。《大鱼海棠》或许不是一篇好的小说，也未 -
阿 克AKKK 149.134.64.176我不是从12年前就开始追的，我是从他上映看到热烈讨才去看的。我觉得很赞，故事是我没有见过的，很神奇，是我没有想到的。画的很精致，感情仓促但是动人吧，对国产来说，真的很好了！